Editor’s note:This is a guest post from Luciana Takata.
Last week I read for the second time Flatland − a romance of many dimensions
(Edwin A. Abbot, 1884). No matter how many times I read this book I guess I’ll
never stop finding it interesting.
In Flatland, its inhabitants − triangles, squares, pentagons and other
two-dimensional geometrical figures − can only move to right, left, forward,
backward or its composed directions. Up or down simply don’t exist. That’s what
a square, inhabitant of Flatland, was used to. Its beliefs (and life)
completely change when a sphere comes out of (apparently) nowhere and presents
to the ignorant square the third dimension and throw it into the unimaginable
space of three dimensions.